Well, it’s April. Its not that nothing much has been happening; its more like I have been waiting for the April story to have a full arc. It doesn’t have an ending yet, but I figured I could post a cliff hanger.
As you may recall if you have been following the whole story, the original time line called for completion of the drawings and engineering by fall of 2012. (The original post about finding an architect here) By September, it became clear that we were not going to hit that target. At the November meeting, the architect and engineer agreed they would be done before the end of February. So, now at the beginning of April, I got a set of drawings labeled “penultimate update”…
The “next to last” update had some things fixed, such as the concrete sunshade from March, but still had a number of issues, almost all of which I had reported earlier. Most of the fixes would be relatively easy, the biggest remaining issue was updating the drawings for the windows details… The problems with the engineering pages were more serious but could also be fixed quite easily. For instance, the foundation plans did not include one corner of the basement, and the plan for the entry was missing vertical supports. I sent in a list of issues and asked if we could sort these out by the end of April so I could stay on track for building. I did not get any response at all for over a week. When I did get a response, they said they would work on the changes and get back to me, but there was no comment on when they might be ready.
One of the remaining engineering problems; should take the engineer just a little longer than it took me to make this graphic for him. They just need to continue the foundation 2 more feet to form a corner behind the basement stairs. At the bottom of the basement stairs, there is nothing bearing on the footing, but it might help to continue that ring anyway…
Then I got a “final” bill saying they were 100% done… The last page was a note saying that the engineer may want more money. It didn’t actually say he was charging more, and the additional cost was not included in the bill, but obviously this would need to be sorted out before I would get the problems fixed. I am sure that, like most disagreements, it is mostly about a difference in perspective. My engineer thought there was scope creep, something no one on a fixed contract likes to see, but I felt I had sufficient documentation, in the form of emails and meeting notes, to show that the design had not changed. I called the architect about the bill and explained why I thought they should just finish up for the agreed upon amount. I really am happy to pay my dues, so I told him that I would just keep the final bill handy so I could send in the check as soon as the work was done. He said he would discuss it with the engineer, but they have not got back to me since. Hopefully that is a good thing?
I did get one little update from the architects assistant since, he added a fence to the front and back of the garage. It was just one detail, but it shows the work is not stopped.
Ever the optimist, I think it will still work out and I am trying not to worry about the lack of any real information. In the mean time, I have my own list of tasks to complete including putting together a landscaping plan, shop drawings for the curved steel beams quote, finding a couple more shotcrete companies to ensure a competitive bid, etc. On the first of May, I plan to start the construction loan paperwork.
In this months eye candy, I have a few interesting things including an earth sheltered office tower, the AcrosFukuoka in Japan, some interesting ancient underground water cisterns (and a dog house cistern) and a cool Escher lizard floor. The Musmuci Bridge in Italy shows how you can make cement very interesting… There is even a shot of the 3D model that I got from the Architect last month. Have fun.
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This is the underside of the Musmuci bridge in Italy, a great example of what you can do with concrete…
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It made me chuckle, even if it was a bit dark…
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I have seen Escher lizard tiles before, but not installed in a floor like this… Must have taken an enormous amount of time, or a laser cutter.
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A clever cinder block planter idea, I think it came from Houzz
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This is an interesting space, again from Houzz.com
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I liked the way the glass here goes up to the ceiling. This is exactly what I want to see in each of my vaults.
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A dog house with a rain catching roof… Although I am in Michigan and water is plentiful, I still plan to channel roof runoff to a cistern of some kind…
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The El Jadida water cistern. Gota love the vaulted ceiling.
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Just cool…
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A huge cistern in Norther Syria… Typically, these are needed in areas with long dry periods… I live in the great lakes basin, but we still need to water our lawns in August, so…
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A huge cistern in Masada
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An old timey design for an underground cistern… Or I could just go with a modern plastic one…
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An earth sheltered garage by Peter Kunz… For the guy who wants to bury his car collection, but still keep an eye on it…
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This is a bit of a research project… My secret book shelf door design will work on skate board wheels. I am researching the best way to mount these…
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My Architect’s assistant made this 3D model on the side… This would be the view from the back of the dining room. He used this model to work out the length of the steel arches in the rib vaults…
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Here are some images of the AcrosFukuoka in Japan… A very large earth sheltered building
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AcrosFukuoka, the front looks like you would expect to find in the financial district… This is not the front.
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AcrosFukuoka
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AcrosFukuoka
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AcrosFukuoka
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AcrosFukuoka
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AcrosFukuoka
Lets review March…
As I mentioned in my earlier post, I had met with the architects and engineer at the start of the month and reviewed a bunch of stuff. Most importantly, we came to agreement on a few things, including some changes they wanted and some that I wanted (and had already asked them for months before). I came home with a new set of prints that included the 12 sheets of house plans, plus 6 sheets from the engineer. I could see that the architect had already made a good effort to target the issues I had reported in my big “catch up” review… Of course, I found some new issues, especially as I got to the later pages, but it wasn’t too bad. I carefully went thru sheet by sheet and itemized all the issues over several emails.
Mean while, I was trying to get a meeting with a shotcrete company in michigan (who has since asked to have his name removed because of negative comments on youtube about his work). I figured I would run the plans by him to make sure it made sense to him while I still had the architect and engineer under contract. In had been a few weeks since I had received anything from the architect, so I asked for an update of the plans to show the shotcrete contractor. Not many of the corrections I had asked for were implemented yet, but they had added two new and interesting sheets.
One of the sheets included images of the sunshade… The sunshade had been hard to see in the elevations, but now that they had done a detailed view, it was clear that they had not understood what I meant when I said the front corners would sit on pilasters between the windows on the side walls. Hopefully we will get all these details sorted out soon.
This month, in prep for my meeting with the shotcrete contractor, I did a lot of planning the order and process of construction. It suddenly occurred to me that the large concrete ribs were sized as if they would be set on the finished slab floor, but in order to keep it from being damaged, the floor would not be added until long after the ribs were in place. The foundation drawings showed footings for the ribs, but nothing was indicated between the footings and the ribs. This was particularly bad on the half of the house with a basement. Similarly, the walls (and the steel ribs within them) would need to start from the footings, which most of them already did. The problem was that the exact depth of the footings is not known until they are poured, so if we based the arch heights on the drawings, they would almost certainly be wrong and require us to build a stem wall which would weaken the structure. I contacted the architect with solutions to both problems and he agreed. We would add pilasters to support the ribs, and extend the bottom of the ribs down 6 inches below floor level so we could later pour around them. For the steel arches in the walls, we could order them a bit long and cut them down to shape. I will also try to delay ordering those as long as possible and will perhaps have the actually installed footing depths at that time.
20 gauge steel studs with open web, $0.47/ft
I also noticed that some of the drawings still specified steel studs in the vertical walls. This idea had come up in November, but one of the concrete guys (Ken Veera) had been worried that the steel studs would be flimsy and deform under the impact from the shotcrete. They would also cause weak planes in the concrete (like cold joints). The idea of using metal lath should stiffen the wall structure up a bit. But before asking the architects to change this again, I figured I should come up with a better idea. I decided to try and find more suitable metal studs. Previously my metal stud research was based on reducing heat loss thru the front wall. Now I shifted my focus and my search terms to look for stronger studs that would resist deflection. I ended up discovering studs from Marino Ware that were 20 gauge structural steel studs, and had the cutouts that would reduce heat loss if used on the front wall. Also, the frequent holes allow the shotcrete to pass thru reducing deflection and preventing the cold joint effect.
Anyway, back to the shotcrete guy. He is a busy guy and was somewhat hard to get a hold of. I guess that could be a good sign (I don’t want the contractor who is just sitting by the phone). That week, he was actually putting in the Beaver Habitat at the Detroit Zoo. Eventually he squeezed me in between a day at the zoo and an evening at a pool show. I just had 50 minutes to chat and show him the plans.
He seemed quite comfortable with the plan I presented, which included 20 gauge studs to frame the walls. He was also fine with shooting the basement from the outside, so I could have the nice planar specfinish over metal lath interior walls; as long as the slope of the excavation outside was greater than 45 degrees for at least 8 ft. We talked about the shooting tower, the bedrooms, the garage, the “light well” and the eyebrows. We talked about order of operations including how his guys would handle working without the floor in the main living area. We talked about storage for his equipment, as well as what equipment I would need to rent (articulating man lift, crane, etc.). I asked what other aspects of the job he would like to bid on and he said he was interested in all the steel frame work and the floors.
I asked him several times if any of this scared him, but he said it did not. Like me, he is an optimist with a “can do” attitude, so I am not really sure if he should be scared, but just doesn’t know it yet.
We also talked a bit about when we might start. I told him that I hoped for a June start, but that means the architect would need to be finished in the next 3 to 5 weeks (end of April). I emailed the architects an update and asked if they thought they would be ready, but they have not responded for over a week now. I will call them next week.
Since I finally had some final drawings for the ribs, I took another shot at getting quotes on getting them precast by professionals. The last time I had looked for quotes, one of the replies told me that they didn’t feel they had the right PCI Plant Certified or APA Plant certification. I used each of those terms as a Google search and found a lot more precast concrete companies that did carry that certification. While browsing thru these sites, I learned about the different finishes (I am interested in a sand blasted or acid etched finish), terminology, etc. With this new info, I sent off requests for quotes along with some details and drawings to half a dozen companies. One replied the next day and quoted me $4K per rib. I have 10 of them, so that adds up to more than I want to pay. The majority of the companies never bothered responding. Another company in IL called back to tell me that they wouldn’t ship that far. But a couple days later, I got a call from a company in Wisconsin that I had not contacted because I thought they were out of my area. Apparently, the one in IL had passed my info on to them. This Wisconsin company is very organized. They have called me a couple times to discuss finishes and immediately sent me a 7 lb box of concrete color samples (Sherri and I agreed on “sandstone”). However, it has been a couple weeks and I have not received a quote yet. I suspect that the shipping will be relatively high (~400 miles). Since doing that search (which didn’t get me a lot of call backs), I noticed that some of the companies were in the Architectural Precast Association, which gave me a bunch more companies to try eventually.
If I can get each rib for a reasonable price, I would rather pay someone else, but if not, I will make the forms and precast the ribs myself. I figure each rib requires less than $500 of concrete and rebar. Each form may use a few hundred dollars worth of supplies, but those can be reused. Check out this page for more info on that.
This house was framed with steel. Click on it for a closer look at the open web studs and joists.
This month I also spent some time at drywall suppliers… I was not looking for drywall, but just those steel studs. These out of the way suppliers have much better options and prices than Home Depo. Presumably, they save money by hiring unhelpful people and I faced the same sort of product ignorance and lack of interest I found in my other sourcing adventures. The guy behind the desk would tell me they didn’t sell something or such and such a product didn’t exist, so I would give him the part number to look up in his computer. One guy actually argued with me for a while before actually entering it. He told me it didn’t exist, but I noticed a poster of it on the wall. He didn’t even believe the poster. He just kept saying I could drive around back and look for myself. Eventually he entered it and I got my prices. Other guys just asked me to write it down and they would get back to me. Guess if they did?
While researching steel studs for the walls, I also got interested in steel studs for the floor joists over the basement area. The drawings specify 2×12 lumber, but I found I could also switch to wood I-beams (straighter and lighter or steel joists from Marino Ware. The 2×12 or wood I-beams cost about $1.50 per ft. The steel ones cost about $3.50/ft, but would never burn or rot. I only need 65 beams totaling 605 linear ft, so the price difference isn’t that much in the big scheme of things. The advantage of steel is that you tell them all the lengths up front, so they do the cutting for you and there is very little waste compared to buying a bunch of 16′ or 24′ wood joists. I am still thinking about it and will research more.
I also spent some time looking at spiral stairs and steel grates and a few other things…
Everyone’s favorite part of the site…
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Meiso No Mori in Japan… Designed by Toyo ito.
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Meiso No Mori in Japan… Designed by Toyo ito.
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Tama Library, also in Japan and by the same architect, Toyo Ito.
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I like these euro copper chimney pots and would be thrilled if my chimney ended up looking this good, but they sure are pricey…
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I just thought these were fun.
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I thought this “earth sheltered table” took it to another level with the water feature.
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I would love to get something cast like this… I am looking on craigs list.
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If we go with a metal lath grating across the hole in the storm room floor, there are many types of expanded metal lath available
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It occurred to me that a 6ft expanded metal lath patio table would fill the steel grate position nicely… And probably for a fraction of the price… I am not too serious yet, but give me a few months.
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A steel spiral staircase…
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Here is a copper trellis. I plan to use larger copper pipe, specifically 3/4 inch Copper pipe, TYPE L, Hard
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I liked this sun room…
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The architect drawing of the rib. Note the construction circles… The rib was designed to be drawn easily on the shop floor
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The engineers drawing of the rib showing the required reinforcing
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The process starts with a steel form. Steel is great when you want to pour a lot of arches, but I will make mine of less sturdy stuff.
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The steel form is placed over the rebar spine
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Assembly is fairly rapid and the bridge quickly takes shape.
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This house was framed with Steel studs
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The architects version of how the the ribs meet the central tower.
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The architects version of how the ribs meet the central tower.
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A rough visual test to show that they arches combined with the ribs to form a vault that expanded radially, but with a constant peak height.
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Crane for 600$/day
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An articulating boom lift will be very important to our construction site. Rental is $1850 per 4 weeks.
The Glass House that Phillip Johnson is famous for is certainly not Earth Sheltered
When you are planning to build an earth sheltered home, you tend to keep your eyes open for similar structures. Tomorrow I will try to give an actual status update, but for now I will just take a couple minutes to show you the most recent example of earth sheltered architecture that I stumbled upon (it was actually built in 1965).
Perhaps you have heard of Phillip Johnson, the architect famous for his “Glass House”. If you want more info you can do a quick internet search or pick up this book. You may even want to tour his estate next time you are in Connecticut for a couple hours.
What I didn’t know until recently was that he also designed and build an underground painting gallery. To call it “earth sheltered” seems like a bit of an understatement. It was inspired by a visit to the Treasury of Atreus, an ancient (~1250BC) underground tomb that was a marvel of bronze age Greek engineering and stood as the largest dome in the world for over 1000 years. Like a tomb, it was the opposite of the glass house, which made it much better for displaying paintings.
The Tomb known as the “Treasure of Atreus” inspired Johnson
The Gallery wouldn’t make a very good home. Unlike the Glass House, it has no windows.
Right next door was the sculpture gallery. Wouldn’t it have been great if these two buildings were joined as one?
And where did Johnson sleep? Not in the glass house with its early morning sun. He slept in the brick house, the ceilings of which, should appeal to any earth sheltered home builder.